Robert Heirendt

Rumi By Moonlight

Some projects come together quickly and easily, others evolve slowly over time.

Somewhere around 10 years ago, I discovered the quatrains of the 13th century Persian poet Jalāl al-Dīn Rūmī. Quatrains are four line poems. There was something about Rumi’s work in this terse, compact format that deeply appealed to me. My initial exposure to these poems was through a book of versions of Rumi by Coleman Barks & John Moyne called “Open Secret”. I ended up composing a piece of music called “Old Statues Watching” which was inspired by one of the quatrains. My band Tumble recorded this piece on our first album “Music for Trio”. 

https://tumblemusic.bandcamp.com/track/old-statues-watching

“Open Secret” featured 54 quatrains and I soon learned that Rumi composed over 2000 of these. As sometimes happens to me at times of new discovery, I became a bit obsessed! I eventually picked up a complete volume of Rumi’s quatrains – “The Quatrains of Rumi” which was translated by Ibrahim Gamard & Rawan Farhadi. In the introduction to the book, they expressed that Barks & Moyne’s versions of Rumi were highly poetic and took great liberties with the original text, Gamgard & Farhadi, by contrast, presented literal translations. Although these translations were quite beautiful in their own way, they lacked the poetic qualities that I guessed existed in the original Farsi text. I remember thinking to myself, “If only I could find translations of these poems that are poetically rendered while still being faithful to the original text!” 

Through some internet explorations, I discovered a translator named Zara Houshmand whose work was featured on the website Iranian.com. Zara had taken up a practice of translating one of Rumi’s quatrains (from the original Farsi) per day for an entire year. These quickly became my favorite translations! 

https://www.iranian.com/Arts/rumi.html

A few years later my band Tumble was performing a house concert in Nevada City at our friend Ellen Reynard’s home. Local musician/composer Annette Dunklin came to the show and brought a friend along. Her friend Zara really liked Tumble and ended up hiring us to play at her birthday party. During planning for the event, I discovered that she was indeed the same person whose quatrain translations I loved so much! This “coincidence” blew me away! 

During the summer of 2020, right at the height of the COVID-19 shelter-in-place, Zara published a book of her Rumi translations, “Moon and Sun”. I spent a lot of time reading and re-reading these poems over the next few months.The feelings and images from specific poems inspired me to compose new pieces of music. 

With these pieces, I took sort of a raw approach with little revising or overworking. There is a phase that is attributed to Allen Ginsberg – “First thought, best thought”. My take on it is that there can, in some instances, be a value in spontaneous, unedited creation. Perhaps this approach was influenced by the short structure of the poems in the quatrain form and the sometimes quite raw emotions expressed by Rumi. 

As I composed, I had a vague idea in the back of my mind that it would be amazing to put together some sort of performance/reading event with Zara at some point in the future. Since we were in the middle of the shelter-in- place phase of the pandemic, this thought was filed away – WAY in the background of my mind! 

Fast forward to early 2022… Zara contacted me out of the blue asked if I might be interested in doing some sort of music and poetry event featuring the Quatrains from her book. She had no idea that I had actually composed pieces based on her translations! This was a moment of bold synchronicity indeed!! I excitedly agreed and we started planning for such an event. 

We had made arrangements for a performance at The North Colombia Schoolhouse in the fall of ’22. But as fate would have it, unpredictable life situations arose which made the fulfillment of the event impossible. It had to be postponed! Although this was disappointing, there was something about this event that felt “meant to be”. I had an intuition that “Rumi By Moonlight” (as we were now calling our event) would still happen in its own due time. 

I heard from Zara again in early 2023. By this time, things had again shifted and our plan for the event was back on! While planning I discovered that my friend/composer Annette Dunklin (who had originally introduced me to Zara) had also composed a piece inspired by one of Zara’s translations. She had done so unaware that I had also composed pieces based on these quatrains. Another amazing “coincidence”!

I am SO pleased how this has all come together – slowly – organically – on its own time! On Friday, 9/1/23, we will be presenting “Rumi By Moonlight” at the historic North Columbia Schoolhouse in North San Juan. 

I have some wonderful musical friends who will be joining me for this special performance. My band for the evening will include:

My Tumble bandmate Randy McKean playing clarinet & tenor sax

my former Boston Ravine bandmate Karl Chelette on acoustic & electric bass

Murray Campbell on oboe, violin & English horn

Tim Bulkley on vibes

I could not be more thrilled to have such a group of fine creative musicians joining me on interpreting these pieces!

The evening will include 6 of my compositions and one of Annette’s compositions – all based on specific quatrains, along with Zara reciting these special poems. We will also do a variety of free improvisational pieces while Zara reads numerous pieces from “Moon and Sun”. 

The Art of the Piano Trio

t’s International Piano Day – the 88th day of the year! The piano was my first instrument. In the late 1950’s, my Dad purchased a Conover upright piano. I am fortunate enough to still have possession of this piano that was in my family since before I was born. When I was in 5th grade, my sister Linda and I both started taking piano lessons from Mrs. Smith (I wish to God I could remember her first name!). She was such a great teacher and was so encouraging to me when I was first learning to play – an important early musical mentor! Although my musical interests would take many twists and turns throughout my life, the piano is right at the bedrock of my musical roots!

Back in 2021, I was a bit surprised to discover that my absolute favorite album of the year was a jazz piano trio record. I found myself listening incessantly to Vijay Iyer’s remarkable album “Uneasy”. This got me thinking about the great tradition of the jazz piano trio – such a “tried and true” musical format! There is something absolutely indescribable about what a piano, a bass, and a drum kit can do with the right players and the right chemistry. In this spirit, I offer to you my list of my personal favorite jazz piano trio albums. I have decided to comment on a few key albums from this list which I think deserve greater attention. See my complete list below. 

Bill Evans – New Jazz Conceptions (with Paul Motion & Teddy Kotick) – 1957

From the very start of his career, Bill Evans brought a completely unique voice to modern music! Although you could hear his influences, he did not sound like anyone else. He is one of those rare musicians like Jimi Hendrix, Earl Scruggs or Jaco Pastorius who re-defined their instrument. After Bill Evans, improvisational piano would NEVER be the same, and his influence on music goes far beyond “Jazz”. His first solo album, “New Jazz Conceptions” has a different sound and approach than many might associate with his music. It’s a surprisingly muscular, quirky, and angular record. This album was the first of his many collaborations with drummer Paul Motian. In a way, Paul is the glue that ties up many of the diverse edges of my list of great piano trio albums. He is my favorite drummer of all time and is on about 40% of the records on this list!

Andrew Hill – So in Love (with James Slaughter & Malachi Favors) – 1959

Andrew Hill’s debut album is not as well know as the classic recordings he did for Blue Note in the ‘60s and ‘70s. Hill was equally well known for his amazing compositions as he was for his inspired playing. This trio outing was made up of only 30% originals – the rest were covers, yet he came right out of the gate as such a singular voice!  The approach to group playing that he and his trio executed on this record was so creative. Bass genius Malachi Favors would later go on to co-found the seminal avant-garde group The Art Ensemble of Chicago (one of my favorite bands of all time!). It’s quite marvelous to witness him here, a decade earlier, playing with such sensitivity, soul, and originality in counterpart to Andrew Hill’s playing. Drummer James Slaughter (who was Diana Washington’s drummer for years) also plays with such a unique dynamic, borrowing heavily from Latin influences. The music made here is quite special! 

McCoy Tyner – Plays Ellington (with Elvin Jones & Jimmy Garrison) – 1964

John Coltrane’s “Classic Quartet” is certainly one of the greatest improvisational ensembles of all time. The work that they did together between the years of ’62 – ’65 would move Jazz forward as an art form. The day before the group went into the studio to record their masterpiece, “A Love Supreme”, McCoy, Elvin and Jimmy wrapped up recording an album of Duke Ellington pieces.  It was the only time the three of them would record as a trio. The unmistakable musical chemistry they had developed of playing together in Coltrane’s group can be heard on this beautiful record. They added percussionists Willie Rodriguez and Johnny Pacheco to a few of the tunes to thicken up the groove. Although the album is in many ways so different from what they would cook up the next day on their groundbreaking “Love Supreme” sessions, we get to hear the group’s musical interplay at its peak on this album.  

The Necks – Hanging Gardens (Chris Abrahams, Tony Buck, Lloyd Swanton) – 1999

There are some who might protest that I am including this album on my list as a “jazz piano trio” album. On this record, The Necks make use of electric piano, organ, and percussion instruments as well as acoustic piano, bass and drums. They use overdubbing to create deep and rich layers of groove and ambience. This album has much in common with “In a Silent Way” era Miles Davis in feel and texture. Yet, at the heart of this Australian trio is improvisation between piano, bass, and drums. Hanging Gardens is a 1-hour long single piece. It is quite hypnotic and remarkable!  

Russ Lossing – Dreamer – (with Ed Schuller & Paul Motian)- 2000

Since Paul Motian is my favorite drummer ever, I did a search on his Wikipedia discography page in order to discover some recordings of him. It was through this process that I was turned onto this album. I had never heard of Russ Lossing before, but discovered him to be a singular musical voice – at once melodic, angular, pastoral, and abstract. His phrasing is crystal clear! I found his compositions to be equally as inspiring as his playing. “Dreamer” is comprised of 70% Lossing originals with a couple of Monk compositions and one Andrew Hill piece. The ensemble interplay here is quite inspired! Unfortunately, there is no song from “Dreamer” currently on Youtube.

Allison Miller – Boom Tic Boom (with Myra Melford & Todd Sickafoose) – 2010

I first became aware of Allison Miller when I discovered that clarinetist/composer Ben Goldberg was playing in her band. I went to see her at Ross Hammond’s performance space “Golden Lion” in Sacramento in 2016, just after she released her album “Otis Was a Polar Bear”. I was BLOWN AWAY by her playing and also her masterful compositions. I remember telling a friend in the LA area to go see them at their next stop on their tour, “I swear to God this woman is the next Mingus!” Allison put out this piano trio album in 2010 and it embodies just about everything I love about music. I remember seeing bassist Todd Sickafoose play in a small club with Adam Levy in San Francisco back in the late ‘90s. His tone is outrageously great!  I especially love the interplay and balance between the musicians in their approach to improvisations. 

Brian Blade, Danilo Perez, John Patitucci – Children of Light – 2015

In my opinion, Wayne Shorter’s quartet was one of the finest groups in all of jazz history. This band existed from 2000 until Wayne’s death last month. This was the longest lasting continuous group of Wayne’s entire career and their approach to group improvisation was quite transcendent! As is the case of McCoy Tyner’s “Plays Ellington” album, (see notes above) something special happens when players who have built up musical chemistry for years come together to create. What you get is so much greater than the sum of the parts! On this, their first trio album, the group play original compositions in addition to their version of Wayne’s “Delores”. I really hope that this group continues to make music together. The rapport here is one of a kind!  

Vijay Iyer – Uneasy (with Tyshawn Sorey & Linda May Han Oh) – 2021

Back in 2014, a friend of mine turned me onto a piano/sax/drums group from the ’00’s called Fieldwork. The primary composer in this group was pianist Vijay Iyer. Their approach to composition and group improvisation, and the fine line between the two, was quite inspiring to me. I started to follow Vijay’s music since that time. In the year 2021, smack dab in the middle of the pandemic, he released his remarkable trio album, “Uneasy”. It was my favorite album of 2021! I love his compositions and the way this trio plays in a seemingly telepathic way. This album also features drummer Tyshawn Sorey, one of my favorite contemporary Jazz drummers, who plays on several other albums on my list. 

The List

Bill Evans – New Jazz Conceptions (w Teddy Kotick & Paul Motian) – 1957

Andrew Hill – So in Love (w Malachi Favors & James Slaughter) – 1959

Bill Evans – Waltz for Debby/Sunday at the Village Vanguard (w Scott LaFarro & Paul Motian) – 1961

Duke Ellington – Money Jungle (w Charles Mingus & Max Roach) – 1963

McCoy Tyner – Plays Ellington (w Jimmy Garrison & Elvin Jones) – 1964

Vince Guaraldi Trio – A Charlie Brown Christmas (w Fred Marshall & Jerry Garnelli) – 1965

Paul Bley Trio – Closer (w Steve Swallow & Barry Altschul) – 1965

Chick Corea – Now He Sings, Now He Sobs (w Miroslav Vitous & Roy Haynes) – 1968

Keith Jarrett – Hamburg 72 (w Charlie Hayden & Paul Motian) – 1972

Herbie Hancock Trio (w Ron Carter & Tony Williams) – 1982

Keith Jarrett – At the Deer Head Inn (w Gary Peacock & Paul Motian) – 1992

The Necks – Hanging Gardens (Chris Abrahams, Lloyd Swanton & Tony Buck) – 1999

Medeski, Martin & Wood – Tonic – 2000

Russ Lossing – Dreamer (w Ed Schuller & Paul Motian) – 2000

Jason Moran – Facing Left 00 – (w Tarus Mateen & Nasheet Waits) – 2000

Marilyn Crispell – Amaryllis 01 – (w Gary Peacock & Paul Motian) – 2001

The Bad Plus – These Are the Vistas 03 (Ethan Iverson, Reid Anderson & David King) – 2003

Chick Corea – Super Trio (w Christian McBride & Steve Gadd) – 2006

Keith Jarrett – Somewhere (w Gary Peacock & Jack DeJohnette) – 2009

Kris Davis – Good Citizen (w John Herbert & Tom Rainey) – 2010

Allison Miller – Boom Tic Boom (w Myra Melford & Todd Sickafoose) – 2010

Colin Vallon Trio – Le Vent (w Patrice Moret & Julian Satorius) – 2014

Blade, Perez & Patitucci – Children of the Light – 2015

Mario Pavone – Blue Dialect (w Matt Mitchell & Tyshawn Sorey) – 2015

John Zorn – Flaga (Craig Taborn, Christian McBride & Tyshawn Sorey) – 2016

Angelica Sanchez Trio – Float the Edge (w Michael Formanek & Tyshawn Sorey) – 2017

Vijay Iyer – Uneasy (w Linda May Han Oh & Tyshawn Sorey) – 2021

Best of 2022 – Short Plays

I’m really old-school. When it comes to music listening, I do not do Pandora or streaming music channels. The way that many people listen to music nowadays is very song focused. I still think in terms of albums and I look at an album as a cohesive statement from an artist at a certain point in history. To me, an album is like a film or a novel, all the individual songs inform the whole story or image that the record is presenting. What makes a great album is more than just the sum of the songs – it’s how it all hangs together and the effect of the whole. I like to sit down and listen to an entire album without conversation, without interruption, like watching a movie.  

It’s been interesting to me to look at changes in album length trends over time. When I grew up in the 70s, the average album length was somewhere between 40 – 50 minutes. This had to do with the medium of vinyl, and what could be produced on a vinyl disc. The average pop or rock album had approximately 10 songs. Other genres with longer song lengths could have 6-8 songs. The “double album”, of the time was somewhere between 65 – 100 minutes, but this was not typical for most most common releases.

 By the time CDs started to dominate the market in the late 80’s, the average album length got significantly longer. By the 90s and early 2000’s, it was unusual to find an album shorter than 60 minutes. The standard had completely changed, and most artists were making REALLY long albums!

By the mid 2010’s I started to notice that album lengths were greatly diversifying. Many artists have continued to make really long albums, but many have also returned to the 45 minute vinyl standard. I imagine this is reinforced by the re-immersion of vinyl in the marketplace. But something else is going on also… It is now becoming more and more common for artists to be putting out EPs or albums which are considerably shorter even than the vinyl standard. 

When I was putting together my list of favorite releases of the year, I was kind of surprised by how many of the albums on my list were very short – under 40 minutes.  And so.. For this blog post I am highlighting the short records from my year ends list. I’ve also included my complete list at the end of this post. I hope this post will encourage some of you to check out these amazing projects! 

Ambarchi, Birthing & Werliin – Ghosted – Australian multi instrumentalist Owen Ambarchi, jazz bassist Johan Birthing, and percussionist Andreas Werlin have collaborated together on a remarkable trio album which lies somewhere in the regions between and jazz, trance/groove and ambient. 

Courtney Marie Andrews – Loose Future – Singer/songwriter Courtney Marie Andrews writes beautifully warm songs which probe the depths of the human heart and the complexities of human relationships. Her voice is 100% authentic, unique and expressive. 

Avishai Cohen – Naked Truth – Avishai Cohen plays the trumpet in the tradition of Miles Davis with a beautiful dream like tone. Naked Truth is a 9 part suite, and is a reflection on death and impermanence. He and his quartet interweave beauty and sorrow so seamlessly in these compositions and improvisations.  

Danger Mouse & Black Thought – Cheat Codes – Producer/multi instrumentalist Brian Burton (aka Danger Mouse) has collaborated with rapper Black Thought from the Roots to create a moody, trippy and expansive hip hop venture. 

Lisa Gerrard & Marcello De Francisco – Exaudia – The Australian/British band Dead Can Dance were one of my biggest influences in the late 80s and early 90s. It is impossible for me to describe the effect that their 1993 masterpiece “Into the Labyrinth” had on me! Singer Lisa Gerrard has continued to create consistently great music through the years! On “Exaudia”, Lisa has collaborated with composer Marcello De Francisco on an album inspired by the history of Spain in the 1500’s and its expulsion of Sephardic tribes throughout all of Europe and North Africa.  Beautiful, soulful and tragic.. 

Ben Goldberg – Werewolf of Today – In January of 2022, composer/clarinetist Ben Goldberg released a series of 9 “werewolf” themed solo clarinet eps. “Werewolf of Today” was the second volume and was released on 1/6/22, the exact one year anniversary of the attempted insurrection on the US capitol. I listened to it for the first time on the day it was released, These solo clarinet compositions spoke to my heart as I reflected on this unbelievable and dark chapter of our recent history. 

https://ben-goldberg–bag-production-records.bandcamp.com/album/werewolf-of-today

Hermanos Gutierrez – El Bueno Y El Malo – Brothers Alejandro & Estevan Gutierrez make up the guitar duo Hermanos Gutierrez. For their new album, they teamed up with Dan Auerbach, recording at his Easy Eye Sound Studio in Nashville. The way in which they weave their guitar lines around each other is quite special. I can hear echos of Ennnio Morricone and Ry Cooder, but their sound is completely unique. 

Ross Hammond – Flow State – Sacramento guitarist Ross Hammond released not 1, not 2, but (count em!) 9 albums in 2022! “Flow State, released in early June of 22, is a beautiful collection of multitracked guitars – all recorded by Ross. I found myself listening heavily to this album throughout the summer. It was an impetus for me to reach out to Ross regarding working together on a project.  This was the beginning of our collaborative EP, “Midsummer Dialogues”

Iron & Wine – Lori – Sam Beam released a 4 song EP featuring the songs of Nashville songwriter Lori McKenna. For these recordings, he returned to a more densely textured approach to arrangements after his past few albums which featured a more stripped down sound. He has enlisted the musical support of Chicago singer-songwriters Sima Cunningham & Macie Stewart (from OHMME) throughout these songs. These versions of the songs are dramatically different than the original recordings – exactly what I enjoy from a covers record! I was not at all familiar with Lori McKenna’s songwriting prior to hearing this record. In the time since, I have enjoyed exploring this fine songwriter’s work! 

Khruangbin & Leon Bridges – Texas Moon – Soul singer Leon Bridges & groove rock trio Khruangbin teamed up last year for an incredible EP, “Texas Sun”, which was one of my favorite releases from last year. In 2022, they returned with a companion EP – Texas Moon. The grooves are still there, but are a bit more subdued, more mysterious and laid back. The overall feeling of this EP is mysterious, dreamy, and full of longing. 

Sun’s Signature – Sun’s Signature – I will never forget the day back in the early 80s, when my friend Mark Dutton played me some cuts off The Cocteau Twins debut album “Garlands”. It was such a new, fresh sound – melodic – atmospheric – mysterious – with the unearthly gorgeous voice of Elizabeth Frasier right at the center! By 1984, when “Treasure” was released, I was completely in love! The Cocteau Twins came to an end in 1997, and Liz Frasier has done musical projects and recordings very sparingly since that time. So I was very excited when I heard that Liz and her partner Damon Reece (from Spiritualized) were putting together a new project. This debut EP from Sun’s Signature did not disappoint. Her voice sounds as great as ever and the music is beautiful, adventurous, and dreamy! 

Here is my entire list of favorite albums of 22 – long, short and otherwise!

Favorite Albums of 2022

• Ryan Adams – Chris
• Melissa Aldana – 12 Stars
• Ambarchi, Berthling & Werliin – Ghosted
• Courtney Marie Andrews – Loose Future
• Animal Collective – Time Skiffs
• William Basinski & Janek Schaefer – On Reflection
• Time Berne & Greg Belisle-Chi – Mars
• Big Thief – Dragon New Warm Mountain I Believe in You
• Andrew Bird – Inside Problems 
• Bitchin Bajas – Bajascillators
• Bjork – Fossora 
• T Bone Burnett – The Invisible Light: Spells 
• Jeremiah Chiu & Marta Sofia Honer – Recordings from the Aland Islands
• Avishai Cohen – Naked Truth
• Elvis Costello – A Boy Named If
• Danger Mouse & Black Thought – Cheat Codes
• Danish String Quartet – Praxis IV
• Dawes – Misadventures of Doomscroller
• Death Cab for Cutie – Asphalt Meadows 
• Simone Dinnerstein – Undersong
• Brian Eno – FOREVERANDEVERNOMORE
• Father John Misty – Chloe and the Next 20^th Century
• Nils Frahm – Music for Animals
• Sam Gendel – Superstore
• Lisa Gerrard & Marcello De Francisco – Exaudia
• Ben Goldberg – Werewolf of Today
• Ben Goldberg – Ben Goldberg School Vol. 2: Hard Science
• Tord Gustavsen Trio – Opening
• Hermanos Gutierrez – El Bueno Y El Malo
• Ross Hammond – Flow State
• Bruce Hornsby – Flicted
• Iron & Wine – Lori
• Ulf Ivarsson & Bill Lasell – Nammu
• Keith Jarrett – Bordeaux Concert 
• Max Johnson Trio – Orbit of Sound
• Rokia Kone & Jacknife Lee – Bamanan
• Khruangbin & Leon Bridges – Texas Moon
• Daniel Lanois – Player Piano
• Dominick Leslie & Ric Robertson – Impromptu Sessions: Trust in Most
• Charles Lloyd – Trios: Chapel
• Russ Lossing – Folks
• Del McCoury Band – Almost Proud
• Myra Melford’s Fire & Water Quintet – For the Love of Fire and Water
• Allison Miller & Carmen Staaf – Nearness
• Modern Nature – Island of Noise
• Aoife O’Donovan – Age of Apathy
• Panda Bear & Sonic Boom – Reset
• Pixies – Doggeral – 
• The Po Ramblin Boys – Never Slow Down
• The Punch Brothers – Hell on Church Street
• Kaelee Robert’s – Something You Didn’t Count On
• Marta Sanchez – SAAM
• Umou Sangare – Timbuktu 
• Selebeyone – Xaybu: The Unseen
• The Smile – A Light for Attracting Attention 
• Spoon – Lucifer on the Sofa
• Billy Sings – Me/And/Dad
• Ken Stubbs – A Day a Way 
• Sun’s Signature – Sun’s Signature
• Tears for Fears – The Tipping Point
• Thumbscrew – Multicolored Midnight
• Molly Tuttle – Crooked Tree
• Weyes Blood – And In the Darkness, Hearts Aglow 
• Wilco – Cruel Country 
• Nilufer Yanya – Painless
• Various Artists – Here It Is: Tribute to Leonard Cohen

Ross Hammond and the Making of Midsummer Dialogues.

Last Summer my band Tumble was taking a little hiatus. During this time, I felt a real hankering to find a new music project to help fill in the void. I had been listening quite a bit to Sacramento guitarist Ross Hammond’s new album “Flow State” and really enjoying it! I remembered that Ross did quite a number of long distance collaborative albums with other artists during the initial COVID shelter in place. On a whim…I had the idea of asking Ross if he would be interested in recording some duos with me if I sent him some tracks of solo mbira. I was very happy that he said yes!

So, on a sweltering hot day in late July, I put together a few semi composed/semi improvised solo mbira tracks and sent them off to Ross. Within a few days, he had sent me some electric guitar tracks. Although we did not work together in person, he did such a great job complementing my tracks.

I first met Ross in 2014 when my band Tumble played our first gig. We opened up for drummer/percussionist Alex Jenkin’s trio which included Ross on guitar and multi-reed player Vinny Golia. We would go on to play various other shows with Ross through the years.

In 2020, when I was putting together my Dylan Self Portrait Tribute album, I invited Ross to  contribute a track. He recorded a version of the old blues tune “Railroad Bill” which was first recorded in 1929 by the great Will Bennett. I was so pleased to have Ross’ contribution to this record. 

https://robertheirendt.bandcamp.com/track/railroad-bill

Ross is the most prolific recording artist I know! He has well over 50 releases to his name thus far, and puts out multiple albums every year. He has made some fine records in collaboration with many great musicians including Oliver Lake (World Saxophone Quartet), Grant Calvin Weston (Ornate Coleman’s Prime Time), and many others. His recordings span genres and transcend them. He brings shards of jazz, blues, folk, trance and just plain old soul into his melodies, grooves, and improvisations. 

My favorite Ross Hammond album is his 2017 solo guitar album, “Follow Your Heart”. He recorded this album at St. Paul’s Episcopal Church in Sacramento, playing acoustic resonator and 12 string guitars. The beautiful acoustics of this space were so well captured on this recording of his soulful, improvisational tunes.

Midsummer Dialogues is perhaps the most raw and “off the cuff” record I have ever made. The tracks have some loose compositional structures to them, but were mostly improvisational. Not too much over-thinking or over-working went into them. There is something quite beautiful about the simple musical conversation that two instruments can have with one another. I really enjoy hearing these musical voices – mbira & guitar, in dialogue with each other!

When putting together the mix for this record, I was thinking of the time in which the tracks were recorded – the hot summer afternoons: ripe blackberries in our backyard – lots of dead flowers – along with some life changes/transitions happening in my family. I decided to go with a summer theme for the EP. My wife/artist Juli Marks took some beautiful photos of some crunchy lunaria plants in our yard which ended up on the cover. 

I hope you enjoy these tracks!  

https://robertheirendt1.bandcamp.com/album/midsummer-dialogues

New Collaborative EP – Midsummer Dialogues

I am super happy to announce that I am releasing a new 3 song EP next week called Midsummer Dialogues. It is a collaboration with guitarist Ross Hammond. 2 voices – guitar & mbira. I can’t wait to share it with you all! Release date will be 11/11/22. More info coming soon!

Mikail Graham – On to the Other Side

Lately, my mind and heart have been set spinning by the unexpected and sudden death of my friend Mikail Graham. Of course, it’s impossible to sum up his life or my friendship with him in this little blog post. To say that he was a real giant in our local community would be such be an understatement. His life touched SO many, and my life was enriched by knowing him!! I will try to share a few bits here, specifically about my connection to Mikail in relation to my life as a musical artist. 

My wife Juli and I moved to Nevada County in the autumn of 2002. Looking at the local newspaper one day, I saw an article about a CD release concert for Paul Kamm & Eleanore McDonald’s album “Fool’s Paradise” at our local music venue – The Center For the Arts. We were not familiar Paul & Eleanore, but Juli and I were eager to check out local music so we went to the show. We were BLOWN AWAY! It was such a beautiful concert, and we were so moved with Paul & Eleanore’s artistry, vocal blend, and fine songwriting. The evening featured performances by many of the great musicians who played on the album including bassist Rob Bonner, guitarist Steven Holland, pedal steel wizard Pete Grant, and Mikail Graham who played some really great e-bow guitar that night. I have remained a huge fan of Paul & Eleanore’s music ever since. 

We ended up taking home a CD copy of “Fool’s Paradise” and discovered that the album was co-produced, mixed, and mastered by Mikail. I was really impressed by the beautiful production. It is such a great record!

Through the years, I would see Mikail perform around town playing many different types of instruments in many genres – but ALWAYS with such artistry and creativity! I would also see him producing shows and at times mixing sound for shows… again always with such class and quality. His long running radio show “The Other Side” on our local radio station KVMR became my absolute favorite! The wild eclecticism of the show could vary from avant-garde free jazz, to Brain Eno, to 70s Krautrock, to obscure 40’s country, and everything in between. Each show had an interesting focus and his DJing/hosting of the show combined crazy wit with lots of heart and soul. His broad eclectic musical tastes paralleled my own. 

I had been slowly and steadily working on my first solo album “Soft Sea Creatures” for many years. In early 2014, when I was finally ready to mix this sprawling project, I immediately thought of working with Mikail. I contacted him and was so pleased that he agreed to work with me! So… I then spent many months working with Mikail in his home studio – known as “The Other Studio”.  His approach to mixing was a revelation to me. He thoughtfully collaborated with me on each and every sound and nuance of the recording. He encouraged me to take my time listening to each mix/draft that we created on a variety of different systems, and then come back with any tweaks necessary. I cannot express how much I learned by working on this album with him. I never told him, but I always considered him an important mentor.

When I hired Mikail to mix this record with me, I got SO much more than a mixing engineer! As we listened to the tracks, at times we would conclude that something was missing, and he often skillfully added just the right parts on a variety of instruments. I remember when we were working on the mix of “All Together” I had recorded some bass tracks by a local bassist who was an exceptional player. But listening back… we both were lamenting that the parts were just not feeling right. Frustrated, I took a stretch break in another room in the house. When I came back a few minutes later, there was Mikail with his fretless bass in hand…laying down the perfect track and feel!  I swear, it was only a matter of minutes and we had the perfect track! In so many ways, his imprint is all over “Soft Sea Creatures”.

About a year or so after the album came out, Mikail generously offered to do a special “Other Side” radio show with me focused on the album. The show was entitled “Inspired Collaborators”. We went into the KVMR studio and broadcast the show live, discussing the making of Soft Sea Creatures, playing album tracks and spotlighting many of the great artists who collaborated with me on the sessions. This was big fun! Doing this show with him would be the first of several radio show collaborations we would do together through the years. 

Whenever Mikail would see my daughter Mei Lin playing her fiddle, he was ALWAYS so encouraging to her. I think the first time he saw her play was sometime around 2015 when she was 10 years old and just starting to sit in with my band Tumble. He immediately treated her as a fellow musician. Through the years of seeing her develop musically, he would always comment on how good she sounded. I have seen him do the same in his connection to other young local musicians and so greatly appreciate his encouragement for the next generation of musical artists!

In 2018, my band Tumble finished tracking our second album “Waves”. We decided to mix and master this album with Mikail. My bandmate Sean Kerrigan and I spent many nights over at Mikail’s studio working on this project. We had such a great time collaborating with him. He brought some interesting sonic ideas and touches to the record which really complimented the bands’ use of space in our playing and improvisation. Once again, Mikail’s contribution to “Waves” was so much more than just a good mix!

Through the years of friendship with Mikail, I would often call him with random little questions when working on a mix in my home studio or similarly if I had any issues with my Mac computer. There were so many things that he was SO good at, and he was always very generous with his time and attention. He would often give me little tips or suggestions and I cannot count how many times he helped me in these little ways when I was a stuck on a mixing issue or with technology problems in general. 

In 2019, when I was putting together the Bob Dylan “Self Portraits” tribute compilation album, I asked Mikail if he would be interested in contributing a track. At first he was unsure, telling me that it would all depend on whether he found something from the list of eligible songs which resonated with him and inspired him. He ultimately ended up covering Dylan’s “Time Passes Slowly”, which Dylan originally recorded during the Self Portrait sessions but did not end up on the album. Dylan later re-recorded this song and it was included on his 1970 album “New Morning”. Mikail told me that he resonated with the lyrics but had an entirely different musical and sonic arrangement in mind. His version of “Time Passes Slowly” really knocked me out. Mikail found such a unique approach to bringing out the deep sense of longing and nostalgia which are in the lyrics. It is one of my favorite tracks on the album and one of my favorite Dylan covers of all time!

https://robertheirendt.bandcamp.com/track/time-passes-slowly

Shortly after the release of the Self Portraits CD, Mikail offered to do a special episode of “The Other Side” radio show with me highlighting this project. Bob Dylan’s Self Portrait album was primarily a collection of covers. As such, our album is a cover album of a cover album – a mighty strange concept, perhaps! On the radio show, we took the approach of listening to the original version of the song, listening to Dylan’s version, and then the version by the artist off our album. Laying these diverse versions of these great old songs side by side was an interesting way of approaching this material. I felt so lucky to have a friend who could “geek out” on this sort of thing along with me. It was such a special experience for me to do this Other Side show with him!

Back in May, we had planned to work together on a mix of a new project I was working on. Mikail texted me the day before our session, letting me know that we would need to reschedule as he was having some strange symptoms with his vision which he needed to get checked. I called him a few weeks later to see how he was doing. Things had gone from bad to worse in terms of his symptoms and he was currently under the full time care of his partner, Julie Holmes. We talked about his hopes of getting a diagnosis and his desire to get a handle on his health. He ended the conversation with, “Love you lots, man”. This was the last time I spoke to Mikail. 

I heard through social media about two weeks later that Mikail had been diagnosed with Genetic Creutzfeldt-Jakob disease, a very rare neurological disorder, of which there is sadly no cure. Mikail peacefully passed over to “The Other Side” on 7/12/22. I will miss him greatly and am very thankful for the ways in which his friendship touched my life!  

Fear the Heart

 My old friend Scott Wiser just put out a really cool new album with his band Mount Desert. Mount Desert is a collaboration between Scott and drummer Jordan Norton. “Fear the Heart” is their second album. The record is a wild blend of thunderous heavy rock with other-worldly ambience. Scott’s production on this record is stellar! Scott asked my daughter Mei Lin and I to lay down some fiddle and mbira tracks to contribute to the world music influenced tune “The River I”. He took our parts and heavily manipulated them to mix into the sonic stew. I LOVE the way it turned out! We were really happy to be a small part of this production!

I met Scott Weiser back in 2000 when we were both working for a mental health non-profit organization in Oakland. I heard he was a musician, so I quickly got to talking music with him. We connected over several mutual musical interests including Brian Eno, Radiohead, U2, Cocteau Twins and Robert Fripp. 

We started jamming from time to time, eventually collaborating on an ambient groove instrumental piece, “Splatter Puddle,” which ended up on my 2014 solo record “Soft Sea Creatures”. On that piece, you can hear his atmospheric e-bow guitar playing. 

Back in 2020, I was putting together a Tribute album to Bob Dylan’s “Self Portrait”. I invited Scott to contribute a track, and he chose to cover what is perhaps one of the weirdest songs that Dylan has ever written: “All the Tired Horses”. Scott took the repetition of the tune as inspiration to take a layered loop-based approach. Not only did he contribute this piece to the collaborative album, but his piece was also a springboard for the development an interactive, generative music engine/website. The version of “Horses” on the CD is one instance of a randomly generated version of the piece. Mei Lin and I also contributed some vocals and a few instrumental flourishes which can be heard deep in the sonic layers. Check out Scott’s website and manipulate your own infinite versions of “Horses”!  https://travstw.github.io/horses/

Even though we rarely see each other in person nowadays, I am really happy that we occasionally collaborate on musical projects! It’s always big fun!

“Fear the Heart” is available now as a digital download at Bandcamp and is slated for a vinyl release in the coming months. Due to current vinyl supply shortages and lack of pressing plants, the vinyl version may take a while. I encourage you all to check it out here…It is Fab!! 

New Tumble Video & the Evolution of a Band

From my vantage point, Tumble has gone through three distinct periods: the trio, the quartet with Bill Douglass, and the current quartet with bass player Rob Holland. Each transition has resulted in distinct changes in the evolution of the sound of the band and its musical direction. 

We began playing with Rob Holland in early 2019. Rob has brought so many special new elements and influences to the group. Rob plays a variety of basses with Tumble including acoustic upright bass, electric 4 string bass, electric fretless bass, and most prominently, the electric 6 string bass. The extended range of this instrument has added extra depth to the group’s sound through the extended low end and upper range. Counterpoint of voices has always been an important touchstone of the band’s musical identity. This extended upper bass range at times overlaps with the range of the guitar and mbira, creating new depth in the interplay of voices. Rob’s deep knowledge of Latin based grooves has also served to thicken the group’s influences from the African diaspora. Rob is also a great guy to hang with and we are super happy to be playing with him!

Our album Waves documents the group’s sound during our period of evolution with bassist Bill Douglass. By the time the album was released, Rob had taken over the bass chair in the group. We played a Waves CD release concert at the beautiful Besemer Hall in Nevada City in October of 2019. 

This video clip is the first to be released featuring the current incarnation of Tumble. In this clip we are performing a version of my composition “3:32”. I remember waking up in the middle of the night with an angular little motif running through my head. I started to envision some possible structures and arrangements using this little melodic fracture. I remember thinking to myself… “My God, I really should be sleeping right now!” I looked up at my alarm clock and it read 3:32 AM! 

Hope you enjoy this clip!  

Boston Ravine CD Release Concert

How might I “sum up” the last 2 1/2 years during which I co-created a bluegrass band with my daughter? From starting out as a duo, doing early gigs with some of our musical friends Walter Webb & Randy McKean, connecting with our bassist Karl Chelette and becoming a trio, co-writing songs with wife/mother Juli Marks, and recording our album during the early days of COVID shelter in place. For me, it has been a time of magic for sure! I cannot begin to express in words what a meaningful experience this has all been for me. I am so grateful to have had this special musical connection with my daughter Mei Lin!

In my last blog post, I wrote about the making of Boston Ravine’s album “Ragged Road”. Our album was officially released last April. Now, months later, we are preparing for our much delayed CD release concerts. But this is also a bittersweet occasion, because these concerts are to be our “farewell” shows. From the day Mei Lin and I started Boston Ravine, I realized that this would be a very special – yet limited – space in time. I knew the day would come when she would be more than ready to branch off into other things!

Being able to connect with my daughter in her love for these deep streams of traditional American folk music – bluegrass, country, & gospel – through the creation of this collaborative band, has been one of the most rewarding creative endeavors of my life! 

I will never forget the day that we first connected musically with our bassist Karl Chelette. We were at a bluegrass campout in Lodi back in the spring of 2019 which was put on by the California Bluegrass Association. We spotted Karl wheeling an upright bass across the campground. I knew who he was, as he used to play drums in a band with my friend Joe Fajen. I had no idea that he was also a bass player! We called him over to jam with us, and were instantly taken by his strong solid groove and friendly, fun manner. He played his first show with us at The Jerry Bash in August of 2019, and we never looked back from there! Karl is such a fine musician and generous soul. Mei Lin and I could not possibly be more pleased to have had him as a creative partner on this fun, crazy ride!

We are very happy to have our friend Kyle Kunert join us for both of these final Boston Ravine shows on banjo. Kyle is the founder of a fresh local Nevada County bluegrass band, Caltucky. He is deeply rooted in bluegrass and has a unique, soulful approach to the banjo. Kyle is such a great ensemble player and has a great ear! We are super stoked to have him as an honorary Boston Ravine member for these final shows.

 

It’s also a great honor for us to have our good friend Russell Roe joining us as our mandolin player for the 9/10 show in Grass Valley. Russ and I have been good friends since our college days at Cal State Long Beach. Russ was responsible for really turning me onto bluegrass back in the mid 90s. At that point, I was really enjoying Old & In the Way, but really did not have much other exposure to the true roots of bluegrass. Russ made me a cassette tape of his favorite tracks from Bill Monroe & the Bluegrass Boys. That was the beginning of so much for me! Years later, Russ was instrumental in helping to ignite Mei Lin’s love for bluegrass.  Through the years, even after he moved to North Carolina,  we would get to hang out with Russ and jam every summer at the California Bluegrass Association’s Father’s Day Festival.  We are SO excited that he will be joining us for the Grass Valley gig and are so grateful that he decided to make the trek out here!

On my recent blogpost about the making of our album Ragged Road, I wrote about the soulful playing of dobro player Kathy Barwick. As I shared then, the Glen Campbell/Jeannie Seely song “Senses” is my favorite track off the record. I absolutely love the soulful interplay between Mei Lin’s voice and Kathy’s dobro. They created something extraordinary on that recording! We are super happy to announce that Kathy will be joining us as a special guest for our CD release show at Wild Eye Pub! She is such as wonderful player who we look up to and she has been so generously supportive to our band from the very beginning. 

The 9/10/21 show at Wild Eye Pub really feels like a full circle moment to me. We played our very first show there in May of 2019. From the very start, Wild Eye owner Beth Moore has been so supportive of us and has run a top notch local music venue that feels like home to us! I know I speak for our entire local music scene in saying that she has given her very heart and soul to helping make the Nevada County music scene really shine!

So please join us for one of our final shows: –  Wild Eye Pub in Grass Valley on 9/10/21 – Lodi Grape Festival on 9/18/21. We hope you will be able to celebrate with us! 

Ragged Road

My daughter Mei Lin and I started playing bluegrass/old-timey fiddle tunes together around the time that she first played fiddle at 7 years of age. Although she started off learning the Suzuki method, her teacher thankfully also taught her old-time fiddle tunes from the very start. Over time, her passion for bluegrass music overtook her interest in classical music. Once she started learning “Oh Susanna”, “Cripple Creek” etc… I naturally pulled out the old guitar and started playing these tunes with her. This collaboration just naturally evolved through the years. Our living room jams eventually expanded into recording sessions and a few duo performances around town. 

Boston Ravine was officially launched in January of 2019 when we put out our first EP. The band really coalesced when bassist Karl Chelette joined in August of ’19. Just prior to COVID hitting, we were planning on recording an album. Even though COVID shut down gigs, we were still able to record during the time of shelter in place and for that I am so grateful!

The recording sessions for “Ragged Road” were quite interesting! We tracked the basic rhythm tracks live with guitar, bass and mandolin chops – all social distancing style! Mei Lin was set up in her bedroom, Karl was in my bedroom and I was in the living room, with doors closed between us all. We were quite the sight – each of us with face masks in separate rooms connected to each other, not visually, but through the grace of condenser mics, XLR cables and headphones.  

Throughout the process, our friend and mentor Adam Haynes (fiddler from The Grascals) gave us invaluable feedback and ideas regarding arrangements. We had several Skype sessions with him in which he helped us greatly – from Nashville to Grass Valley in real time! When it comes to recording projects, there are so many benefits to living in the modern age!  In addition to this, Adam recorded a twin fiddle part with Mei Lin on “Sweet Karolina”, added some extra guitar to “Keep Your Feet on the Ground,” and mixed a couple of the tunes. We are SO appreciative of all his help on this project and he was so great to collaborate with!

We overdubbed vocals, fiddles, and breaks in our respective home studios. Karl added some hard groovin’ drums to a couple of tracks. Mei Lin did the lion’s share of breaks on this record and was kept quite busy through the early months of COVID shelter in place working on these tracks! 

Mei Lin and I have absolutely LOVED playing in this band with our bassist Karl Chelette! He is a brilliant musician, great guy to hang with,  and has a rock solid groove which has come to help really define the sound of the band! It was Karl who brought Frank Wakefield’s “New Camptown Races” to the band and it has become a staple of our live shows. On this tune, Karl not only takes breaks on the bass, but also has contributed an extended solo bass intro to the tune. On this part of the  record, you can really hear some of Karl’s deep jazz influences. I have always deeply valued streams in music where various traditions and styles come together. Karl achieved this very well in his soulful break, bringing an extra level of depth to the record. Karl added some cool drum parts to “Ridin’ on that Midnight Train” and “Ragged Road”. 

While working on several of the songs (“Midnight Train”, “When My Time Comes to Go”, & “My Mama’s Heaven”) , we knew that we wanted some banjo. We decided to bring in multi instrumentalist Max Schwartz. He was able to track his parts from his home studio in Florida. As soon as we heard them, we knew that we had chosen wisely. His tracks really rocked and fit the songs so well! 

This family collaboration also included contributions from my wife, and Mei Lin’s mother, Juli Marks. During the summer of ’19, we took a camping trip to Mill Creek, which is very near Lassen National Park. Juli grew up camping with her family every summer at a place called “Hole In the Ground” near where we were camping. This got her mind reeling through childhood memories and family history. She was inspired to write song lyrics which would become “My Mama’s Heaven” and “Sweet Karolina”. Mei Lin wrote the music to “My Mama’s Heaven” and I wrote the music to “Sweet Karolina”. These songs were the first songwriting collaborations between Juli, Mei Lin and I. They add such a personal element to the record!

For “Sweet Karolina”, Mei Lin envisioned and composed a triple fiddle part. She invited her good friend Tessa Schwartz (North Country Blue) and her fiddle teacher Adam Haynes (The Grascals) to play the twin and triple fiddle parts with her. In addition, each fiddler takes backup on one of the song’s three verses.  I really love the way the distinct stylings of each musician complement the song and each other throughout the arrangement!

I wrote the album’s title song “Ragged Road” several years ago. This slightly “Johnny Cash-ish” metaphysical country tune just came to me, years before I started to dive deep into playing bluegrass and traditional country music with Mei Lin. Towards the completion of our recording sessions, I played the song for Mei Lin for the first time. It was her inspiration to include this song on the record. I have been in love with the haunting sound of the pedal steel guitar for many years. As soon as we started working on our band arrangement for “Ragged Road”, I knew I wanted to include some pedal steel for this song. We were so thrilled to be able to collaborate with legendary pedal steel player Pete Grant on this track! Pete has recorded with the Grateful Dead (check out his parts on their record “Axomoxoa”) as well as bluegrass legends The Dillards. It was such an honor to work with him and we absolutely love what he did on this track!

For me, the absolute highlight of the record is the one track I virtually had nothing to do with! About a year and 1/2 ago, Mei Lin discovered the country ballad “Senses” which was co-written by Glen Campbell & Jeanie Seeley. Although the song was composed by two huge country stars, Senses was first recorded by Connie Smith in 1965 on her classic album “Cute ’n’ Country”. I absolutely LOVE the way that Mei Lin sings sad country ballads! We wanted to have an expressive and “weepy” musical counterpoint to Mei Lin’s soulful vocal, so we enlisted our friend Kathy Barwick to record some Dobro. The interplay between Mei Lin’s voice and Kathy’s Dobro turned out so incredibly nice! On this track, Mei Lin played the guitar as well. 

In all, this album is a real culmination of Boston Ravine’s work as a band – touches of traditional bluegrass, modern bluegrass, gospel, and old school country. I have always had it in the back of my mind to someday make an Americana/roots music album. I am so pleased with how Ragged Road turned out, and it has been a musical highlight of my life to collaborate on this record with my daughter!